SEXtalk69 Police

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SEXtalk69 International Typeface CorporationVictor Caruso TrueTypeFreeware

SEXtalk69___Font_by_KeepWaiting.ttf

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Note de l'auteur

SEXtalk69, designed by Andrew J. Hart, is a free eroded display font with massive, uneven letters and a scraped, photocopied surface. Dense black strokes, ragged edges, and scattered gaps give the lettering the battered look of cut-and-pasted punk graphics, with cramped overlaps and sudden changes in stroke width.

Its distressed texture can merge with torn-paper collage, grainy photography, or screen-printed illustration, making it especially apt for music posters and album packaging. Merchandise also suits its abrasive, handmade attitude for bands and streetwear labels. The rough construction points most convincingly toward punk, underground club, and skate themes in event flyers and youth-oriented branding.

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Informations de base sur la police

Avis de droits d’auteur

SEXtalk69 - 2007 - Andrew J. Hart

Famille de police

SEXtalk69

Sous-famille de police

Regular

Identification unique de sous-famille

SEXtalk69

Nom complet de police

SEXtalk69

Version tableau de noms

v.1

Nom de police postscript

SEXtalk69

Avis de marque déposée

SEXtalk69 2007- Andrew J. Hart.

Nom du fabricant

International Typeface Corporation

Créateur

Victor Caruso

Description

Designed in 1902 by Morris Fuller Benton for the American Type Founders company, Franklin Gothic still reigns as one of the most-widely used sans serif typefaces. Originally issued in only one weight, the ATF version of Franklin Gothic was eventually expanded to include five additional weights, but no light or intermediate weights were ever developed. In 1979, under license from ATF, ITC developed four new weights in roman and italic: book, medium, demi and heavy. Designed by Victor Caruso, ITCs new weights matched the original faces characteristics, but featured a slightly enlarged lowercase x-height. ITC Franklin Gothic also features a slightly condensed lowercase a-z alphabet. In 1991, ITC commissioned the Font Bureau in Boston to create condensed, compressed and extra compressed versions of ITC Franklin Gothic, which increased the flexibility and usefulness of the design.